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Elements of Gothic Fiction
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Want to Read saving…. Want to Read Currently Reading Read. Refresh and try again. Dracula Paperback by Bram Stoker. The Monk Paperback by Matthew Lewis. Rebecca ebook by Daphne du Maurier. The Strange Case of Dr. Hyde Paperback by Robert Louis Stevenson. Northanger Abbey Paperback by Jane Austen. The Italian Paperback by Ann Radcliffe. Gothic fiction usually takes place in an ancient castle or abbey whose owner discovers his noble line is doomed, usually because some past misdemeanor has caused the family to be cursed.

John Clute and John Grant. Additional examples of genre: Space gothic — Alien s. Suburban gothic — Nightmare on Elm Street. Gothic Architecture of the High Middle Ages. A Study of Gothic Subculture. See above, plus web sites: The Gothic Literature Page http: Literature of the Fantastic gothic novels on-line, mostly out-of-copyright tales from the nineteenth century http: Describe the characteristics and significance of the Gothic. The Gothic novel is a stylistic mode or genre that uses a set of conventions to instill a feeling of fear, or uneasiness in the reader.

These conventions could include, but are not limited to haunted spaces, light and dark, pointed architecture, and masks. Gothic novels traditionally used Europe as their setting, as we will see with Poe, but throughout the course we had the pleasure to see it imported to American towns, woods, and even the human mind.

In this mode, the Gothic can work towards setting the mood of the reader towards the works as a whole, or more importantly, we saw that it can be used to help us examine our own haunted spaces.

As you mentioned several times in the class, we all have our secrets and we all wear our masks. Good writing helps us to see beyond our own masks. We were introduced to the Gothic very early in our reading. While RVW may be viewed as a statement on his society, I wonder how political he actually meant it to be. On page we are given a scene that is very Gothic. Ichabod has made his way into the woods on a dark and lonely night. During this trip he recalls stories of ghost and goblins.

He eventually makes his way to the tulip tree and sees its twisted and knarled form. The tree actually moans at him at one point. Again, this type of writing does well for setting the mood but I did not find that it urged me to think or examine myself. I do not mean to speak ill of his works, they used the Gothic well and have obviously withstood the test of time. Cooper used the Gothic heavily in both the setting, as a wilderness gothic, and as a very important tool where the Gothic worked to show the returning past as repressed.

Throughout the novel we often visit ruins that are "quietly crumbling in the solitude of the forest, neglected, and nearly forgotten… " there are also several graves that appear. Ah — perhaps you are wondering about the fork on that tongue. The right corner of the nib will leave its usual oblique line-end; the left corner of the nib, continuing, will obediently draw out the wet ink at the bottom of the stroke to form another perfectly matching point: I could also whisper that it's perfectly acceptable to go back and use a nib corner to correct the fork's edges and improve its points; all the best calligraphers do, you know.

Keep the lines smooth and slightly curved, avoiding the sharp angles of minuscule gothic writing, for a more flowing 'dazzle' effect. The new element is that flourished head. Yes, it has one of those forkward awks on it, like the 'E'.

When you draw the first downstroke, make sure you start by moving the nib slightly to the left for a tiny, initial leftwards curve into the vertical. Then you can go back to that point and draw up from it and to the right for another slight curve into the horizontal. The smooth, narrow join then introduces a more graceful forward-running flourish.

You can now write 'Happy Birthday' in gothic writing. A handy rule of thumb is to make sure that the flourish at the head and the curl at the foot don't extend back further than a hackle's width plus about half again.

As you can see, a gothic 'J' is considerably more flourished than 'I'. Remember, this is quite a modern letter — in general use for only three hundred or so years. Yes, that is modern — for gothic writing, anyway. Its chief feature is its bold diagonal leg, which should thrust forward with both assurance and decorum — ie not so inconsiderately far that the next letter in the word will be pushed away along the line.

Don't overdo the curves on the horizontal. Aha, here's an interesting tidbit. That 'L' stood for the Latin word 'librae', meaning 'unit of weight'. And why was it called a 'pound' to begin with? And then 'Libra' of course also means the Balance or Scales in astrology; and gives us the words 'equilibrium' equal balance , to 'deliberate' weigh up, balance out in one's thoughts and 'library' place where the unbalanced hang out Try not to make the shoulders too wide. Think of those high, narrow, arched windows in gothic cathedrals.

I do think there are quite a few interesting similarities between gothic architecture and gothic writing. Shake out your writing hand and give it a bit of a massage. Contemplate the infinite, or, possibly, the chocolate supplies. The challenge with 'O' as in any calligraphy alphabet, gothic or otherwise, is to get the curves balanced so that the overall aspect is smoothly round and upright, rather than eggy or tipsy or squished on one side.

Make sure it has a rather larger bow at the top than a 'B', though. And the same warning applies about the leg as for 'K'. In gothic writing, majuscule 'S' comes in so many varieties that I am inclined when time permits to give it its own page.

But, for the moment, this version resembles 'F' in consisting for the most part of two parallel, slightly curving lines. Be sure to begin and end the diagonal middle section below the top-line and above the base-line, so that you have space for a graceful transition into the head and foot of the letter. The final diagonals should be positioned so that if either were extended in a straight line it would meet the other.

Keep the horizontal smooth, and balance its width against the curve of the body; don't let it go too far in either direction, and not too curly either. The main difference is the little left-pointing flourish; and even that is rather like the beginning of a 'T'. But for all that, it is indeed nothing worse than a 'double U':

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Gothic fiction, which is largely known by the subgenre of Gothic horror, is a genre or mode of literature and film that combines fiction and horror, death, and at times romance.

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Gothic alphabet. There are no separate numerals, but each letter has a numeric value. Downloads. Download a Gothic alphabet chart in Excel, Word or PDF format Sample text in Gothic (The Lord's Prayer) Transliteration. Atta unsar þu in himinam; weihnai namo þein; qimai þiudinassus þeins; wairþai wilja þeins; swe in himina jah ana airþai. Aug 22,  · How to Write Gothic Fiction Three Parts: Developing Ideas for Your Gothic Fiction Making Your Gothic Fiction Unique Writing Your Gothic Fiction Community Q&A Gothic fiction is a subgenre of horror, exemplified by authors such as H.P. Lovecraft, Edgar Allan Poe, Mary Shelley, and Wilkie Collins%(37).

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Gothic Horror. I walked cautiously up towards the grand old house, where I read the name aloud 'Hollow Manor.' It had the look of a gothic church with the 3/5. In the most general terms, Gothic literature can be defined as writing that employs dark and picturesque scenery, startling and melodramatic narrative devices, and an overall atmosphere of exoticism, mystery, and dread. Often, a Gothic novel or story will revolve around a large, ancient house.